A Guide to Paithani and Five Types of Sarees

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The paithani saree is popular for its uniqueness. The Paithani style of saree is hand woven silk a rich, elaborate zari pallu and line. What truly separates Paithani sarees is its novel winding around procedure. The whole cycle – from coloring of the yarn to winding around – is finished the hard way. The primary body of the saree is wound by hand in looms. Though the winding around cycle of the pallu and line is like the woven artwork winding around method.

The saree that is being coiled around is extremely soft and delicate. Additionally unusual are the designs and motifs used to beautify the saree. The coloured strings are intertwined to create the motifs, which are then secured to the loom’s twist. In actuality, the back of the saree is just as stunning as the front. The saree’s extraordinary winding gives the impression that the designs have been woven into its texture. The different types of Paithani sarees are divided according to wrapping around themes and strategies.


Popular as the Queen of Silks, the Paithani is a valued belonging and has been a fundamental piece of the Maharashtrian marriage linen for quite a long time. Paithani as a work of art started in Pratishthan, the capital city of the Satvahana Empire, around 200 BC and 200 AD. The city is by and by known as Paithan, loaning the texture its name. However the Paithani business experienced a misfortune during the British Raj inferable from the coming of modern influence lingers, the business has encountered another rent of life in late a long time with help from the public authority and admirers of the specialty.

Yeola Paithani makers and weaver families in Yeola who have maintained this custom for ages keep on making enchantment on handlooms, creating lovely Paithanis – suitably called ‘sonnets in silk and gold.’


History and Heritage: Paithani is a fortune that returns ages – an endowment of Indian handloom legacy and sovereignty among sarees. The Yeola Paithani silk saree soaks up the soul of Maharashtra’s rich history and noble culture inside each weave.

Silk and Gold: The Paithani is handwoven utilizing strings of unadulterated silk and gold. It is known for its sumptuous texture and multifaceted plans. A key indication of a credible Paithani is that it appears to be identical on the two sides.

The Border and Pallu: The Yeola Saree is known for its exciting lines and rich pallu that conveys its exemplary diagonal square plan. The sarees arrive in a plain or spotted base joined by an exquisite boundary with themes and plans embellishing the pallu.

One of a kind Motifs: The Motifs that decorate the Paithani’s shiny weave is its most appealing component. The peacock theme is among the most famous ones, trailed by parrot (muniya), lotus, florals, and mathematical plans. Themes like pictures, cows, leaves, mangoes, Tota-Maina, swan, plants, and so forth, are additionally very normal.

Lively and Natural Colors: Paithani sarees are accessible in a holiday of varieties – from quieted shades to energetic tints and in the middle between. Each Yeola Paithani Silk Saree is colored utilizing normal tones. Additionally, every Paithani has two predominant and differentiating colors – one on the body and one on the pallu and line.

Here are the five kinds of Paithani sarees that merit a spot in your closet:

1. Bangadi mor Paithani saree

Bangadi in Marathi means bangle, while mor means peacock. Thus, “bangadi mor” refers to a peacock wearing a bangle or a peacock that has been weaved to resemble a bangle. Typically, the topic is woven into the pallu. One of the Paithani saree’s designs that is most frequently located is this one!

2. Ekdhoti weave Paithani saree

For the ekdhoti weave Paithani saree, a solitary transport is utilized for winding of weft. The shade of the twist yarn is not the same as that of the weft yarn. These sarees have a narali boundary and straightforward butti plans like coins or peas!

3. Paithani sarees in customary varieties

Paithani sarees look dazzling in each tone yet the three varieties that are most normal are kali chandrakala (ebony saree with a red line), Raghu (parrot green tone), and Shirodak (unadulterated white).

4. Brocade Paithani

A few Paithani sarees line the boundary of the sarees with brocade. The more multifaceted crafted by brocade, the more costly the saree will be!

5. Munia Brocade Paithani

“Munia” signifies parrot in Marathi. In this sort of saree, parrots are woven on the pallu as well as on the boundary. These parrots are generally in leaf green tone and in some cases otherwise called “tota-maina”!